enthusiastick: (anything!)
This Summer, a villain will rise.

(No, I'm not talking about the Dark Knight. I will talk about the Dark Knight eventually, because it was staggeringly good. But later.)

I'm talking about Dr. Horrible's Sing-Along Blog which, as of last night, is no longer free to watch but is still available on iTunes.

I think my friend Jaywalt put it best when he said, "It's like Joss Whedon got together with the internet and made a musical for you." He's absolutely right about that. Ever since I became obsessed with Jonathan Coulton I've had a thing for music about mad scientists (prior to Dr. Horrible, the latest incarnation of this obsession came in the form of Paul & Storm aping JoCo's style for the Masters of Song Fu contest with the inestimable song "Live".)

Take that thing and multiply it's awesomeness a thousand fold. Throw in Joss Whedon writing fantastic and positively Sondheim-ian musical numbers, Nathan Fillion being a laugh-riot mook and mugging for the camera, Neil Patrick Harris being funnier than he is in Harold & Kumar and darker than he is in How I Met Your Mother, a running gag about a Mr. Ed-style equine super villain (Bad Horse, the Thoroughbred of Sin), Felicia Day standing around looking sweet and pretty, Simon Helberg being unpleasantly sweaty... the list goes on and on. The number of cool elements in this thing is staggering. Every time you think it can't get better, it does.

It's a 3-act musical, with each act consisting of an episode about 14 minutes long. If you've somehow missed the tremendous internet buzz that this thing has generated, then I'm telling you now to get on board. You'll be walking around humming the songs for days to come.
enthusiastick: (issues)
One of my coworkers got a Flip Video Ultra delivered to the office this morning. Counting [livejournal.com profile] theferrett, that makes two people I know who have them. And now one of my other coworkers who's a bit infamous for impulse buys, went and ordered one, too.

Shiny. Waaaaaant...
enthusiastick: (Default)
I have never lamented my lack of a digital camera as much as I did in the last hour.

The parade was awesome.
enthusiastick: (keywork)
I'm continuing to play catch-up with my posts, so please bear with me.

A few weeks back I caught a Jonathan Coulton show at Johnny D's in Somerville, alongside [livejournal.com profile] macabre_grrl and Eric & April. Of the four people in my party I was the only one with any particular familiarity with Mr. Coulton, but he's enough of a geeky good time that I figured that wouldn't matter much, and for the most part it didn't.

The show was a double-headliner with Paul & Storm (who are, I quickly realized, the guys from Da Vinci's Notebook.) And I have to say that they were awesome. Very funny, great stage presence and audience interaction. I think all the people who came in as blank slates liked their set better than JoCo's, and I have to say I can't especially blame them. They've been doing this whole live performance thing longer than he has, and they have their schtick and their patter down pretty damn well. They opened, conveniently enough, with Opening Band and proceeded to go through some of the best bits of their repetoire, including Your Town, Count To Ten, A Better Version of You, the Captain's Wife's Lament and Nun Fight. They also interspersed with their bits about rejected jingles, "If" songs and Randy Newman parodies. All in all a rocking and full set.

Then Mr. Coulton took the stage. I lost Eric & April to food at the bar and the end of Game 2 in the series with the Angels. But I honestly could have cared less because I was geeking out and geeking out hard. He got some truly excellent back-up from Paul & Storm and played nearly all of my favorites -- the good stuff from Thing A Week as well as Ikea, 1st of May, the Mandelbrot Set and Kennesaw Mountain Landis and more. The three of them also rocked out to a cover of Sweet Caroline (I believe as an encore) that was unexpected but very cool. I think [livejournal.com profile] macabre_grrl enjoyed herself and I certainly couldn't have been happier, except possibly if the show had gone on all night long.

I'm compelled to make mention of one particularly geeky moment: those of you familiar with Thing A Week are no doubt familiar with Mr. Fancy Pants. Coulton got up and performed that ditty, but before he did he explained that he would be putting down his guitar and breaking out his new toy, an expensive Zendrum MIDI controller. Mr. Fancy Pants is only about a minute and a half long, he explained, which made it too short for live performances. The original version was over before the audience even knew what to do with it. So he used the Zendrum to lengthen the song with a totally rocking solo. Mere words cannot do justice to the geekiness of the moment. I found a couple of Youtube videos of him performing with the Zendrum at other shows, but in both of them he's clearly still getting the swing of the instrument. That night he exhibited complete mastery of it, and it was awesome. In spite of its exorbitant cost and the fact that I'm not a musician at the moment, I kind of want a Zendrum now.

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